Saturday, April 5, 2014

Formal Analysis - Miranda

“Pepsi-Cola” by Byron Leslie Burford is the first painting in the hallway of Bucksbaum to the right of the staircases. As an oil painting depicting four musicians at the corner of what appears to be an alley, “Pepsi-Cola” is a prime example of Burford’s tendency to draw abstract representations of the people he encounters.

The brushwork in the canvas is chaotic, with strokes easily visible even at a distance and parts of the white canvas are uncovered. However, the strokes flow easily into each other in order to complement the forms and shapes within the painting, achieving a form of chaotic unity. The people and building defy realism and details and instead simply suggest at their presence, as seen in the second musician whose face lacks any sort of detailed features. The alley degenerates in the right to darker colors overlaid with the Pepsi logo.

While the majority of the painting consists of dark colors, the occasional patches of bright blue and red moves the viewer’s eyes along the painting and accentuates the darker shades. Most of the action is concentrated on the musicians and the alleyway, as the more distinct and detailed shapes in the upper left hand corner lack the variation of color found in the rest of the painting.

No comments:

Post a Comment