Buzzard’s Roost Pass
is a lithograph/screen print by Kara Walker, as part of the Pictoral History of
the Civil War series. The series was made in 2005 and is currently residing in
the basement of Bucksbaum. In the center of the frame, is an image of a battle
scene. There is another layer on top of the battle, depicting a face, two
breasts and a hand. The body parts are done in a solid black silhouette,
distinguishing them from the bottom, multi-valued layer. The entire piece,
including the frame, is black and white. There is a thick white rim surrounding
the battle image, only broken by the outreaching black hand.
The
battle scene consists of a foreground and a background. In the foreground,
there are several men and horses. There are two men on horseback, while the
rest are on foot. One of the men is carrying an American flag. Part of a canon
is sticking out of the right-hand side. Smoke rises from the canon and draws
the eyes into the mid/background. In the distance, there are hills of empty
land that stop at two mountains. The mountains are divided by a valley and
where we should be able to see the horizon, there is instead another cloud,
probably smoke. And in the very, very back, there are legitimate clouds in the
mostly clear sky. Based on my prior experience and general awesome-ness, it
looks like this image was made many years ago, during the time period this
battle was taking place. Perhaps the print was made by the artist, or maybe it
was borrowed in order to create a more authentic overall piece. Since the
series is about the Civil War, I’ll assume this battle of Buzzard’s Roost Pass
is from that time.
The
silhouettes collectively resemble what I think is a woman, because there are
breasts and the hair is done in even braids with bows. She appears black to me
because of her hair, large lips and sloping nose. Her head is lying between the
two mountains and her face is turned up. The base of her neck ends in jagged lines
that look like tear marks. Her left hand is in the white space. If you think
about the position her hand is in, it looks very uncomfortable and strained.
The thumb is pointing away from her body, so her hand is doing a strange twist.
Mimic her hand and you will understand. The hand and the breasts are also cut
off in the same torn endings as the head. Her breasts are in a strange location
in relation to her head. If the rest of her body was present, I imagine the
proportions would not match up. The breasts are leaning on opposite sides, as
though her body was splayed on the ground.
The “slipping into content” part: Her
pose leads me to believe that she is in pain. She is in an unnatural position
because of her wrist and her strange breast leanings. Her mouth is open, as if
she is crying out and there is only a small slit where her eye should be, making
the eye appear closed. Her breasts are an important part of the piece, not only
because they are centered in the middle, but also because they make the
atmosphere of the work violent. Another aspect of the piece that conjures up
violence for me is the explosions. There are explosions in the battle that look
like little, white stars. There are also three in her face that the artist
recreated. These are the only elements that seem to tie into the first and
second layer, therefore, I’m relating the war in the picture with some sort of
war within or acting upon the woman.
Possibly,
the woman is suffering for reasons relating to the Civil War, her race and her
sex. As a black women, she would have been seen as the lowest social class in
the U.S. at the time. It was common then that black women were abused mentally,
physically and sexually by rich, white men. This piece very much reminds me of
sexual abuse, because of the pain in her face, sprawled pose and exposed
breasts. As her hand reaches off the page, it appears she’s trying to get out,
of the battle and possible an inner battle? I see themes of sexuality, abuse,
racism, sexism, internal/external conflict and white patriarchal dominance.
However, I am already over my word limit so you’ll have to work those out on
your own.
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