Thursday, December 10, 2009
Run Home, Home Run
James Koch
Run Home, Home Run, 2009. Dead ladybugs, dead flies, beef blood, and Gorilla Glue on Wooden baseball bat.
For this piece, i was interested in exploring Transgression.
Final Project
Eliza Mutino
Untitled, 2009. Fish tank on fan with cheesecloth, Sharpie paint pen, dried paint pieces and goose feather. Fan is supported by cheescloth covered 4"x 1" wooden blocks. Sticky tac is used as an adhesive between the sides of the tank and the cheese cloth.
For this piece, I was drawn to the concept of transience, and inspired by the film American Beauty and the quote "...Don't lose hope, no condition is permanent..."
Final Project
Barbara Monaco
Untitled (place your own broken heart puns here), 2009. Acrylic on mirror, glued to poster board and plastic frame (12"x15")
The concept was Fracture (the act of breaking, or state of being broken)
Process: I tore the mirror out of the frame, painted a human heart on it, smashed it with a hammer, and glued the pieces to the frame backing and reattached the plastic painted frame.
Final Project
Final Project
Final Project
Final Project: Max Farrell
Title: Fragile World
Concept: Fracture
Size: 13" x 11" x 10"
Material: a globe, broken liquor bottles, phone chargers, cardstock poster board
Process: I took the globe from its original base and punched five holes in what would be the capital cities of U.S.A, U.K, France, Russia and China. I then went on to beat it and smash the globe against the ground. I then took three empty liquor bottles and broke the glass into fine pieces, then placing the glass on the cardstock. Once the globe was broken, I placed the charger tips inside the globe and plugged them into a power surge, which is plugged into the wall.
Concept: Fracture
Size: 13" x 11" x 10"
Material: a globe, broken liquor bottles, phone chargers, cardstock poster board
Process: I took the globe from its original base and punched five holes in what would be the capital cities of U.S.A, U.K, France, Russia and China. I then went on to beat it and smash the globe against the ground. I then took three empty liquor bottles and broke the glass into fine pieces, then placing the glass on the cardstock. Once the globe was broken, I placed the charger tips inside the globe and plugged them into a power surge, which is plugged into the wall.
final project
Entropy
Ink Tendencies. Book, epoxy, acrylic, glue, pen, India ink, printer paper (50"x45"x4").
I cut through the cover of an old book, hollowed out a depression using a woodcutting tool, and sealed the depression with epoxy. I then poured the "ink," created by adding India ink to Elmer's glue, into the center of the depression and let it drip out and dry.
final project
final project
Final: There's something in the water
There's something in the water, 2009, Acrylic Digitalization
Fracture
I first painted the original 7 paintings featured, then scanned them to a computer, and adjusted their light and color quality with photoshop. Then I rearranged the paintings together in a repeating pattern and resized the images.
Final Project
Tuesday, December 8, 2009
Monday, December 7, 2009
burling research
interesting material:
Artist: Aliza Lelah
Title: A Lifetime Rehearsal
Date: 2008
Size: 12" x 24"
Material: Hand stitched recycled fabric
Lelah recreates old found photographs using recycled bits of fabric, with stitching as a binding medium.
interesting process:
detail:
Artist: Suzanna Fields
Title: Sweet Deep
Date: 2005
Size: 27" x 27"
Material: Acrylic on Plexiglass
Suzanna Fields uses dripping, pouring and pulling at acrylic paint on tactile surfaces to emphasize the plastic nature of acrylic paints.
Artist: Aliza Lelah
Title: A Lifetime Rehearsal
Date: 2008
Size: 12" x 24"
Material: Hand stitched recycled fabric
Lelah recreates old found photographs using recycled bits of fabric, with stitching as a binding medium.
interesting process:
detail:
Artist: Suzanna Fields
Title: Sweet Deep
Date: 2005
Size: 27" x 27"
Material: Acrylic on Plexiglass
Suzanna Fields uses dripping, pouring and pulling at acrylic paint on tactile surfaces to emphasize the plastic nature of acrylic paints.
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